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WHAT THE RAMS BROUGHT

Poets and painters say that landscape controls
the mood of a people, and there were times in China when I almost agreed.
Northern China, for instance, had its ancient grandeur. Clouds of dust
blew in off the prairies, painting Ming turrets and Stalinist highrises
a single grim mustard color. Locust trees like wads of thorn studded the
gullies, and narrow roads snaked through the bluffs, with bicycles and
donkey carts plodding below a sky that was dark and folded like stone.
Landscape that stark had suggested an epic, the world of Guan Yu or Tiananmen,
where final conflicts were fought. A year later, however, I was a thousand
miles south, and Canton could have been another world. Here endless sunshine
met endless rain above gray dirt from the mouth of the Pearl River, and
everything seemed to flourish. There was a rainbow of flowers, and even
a dozen kinds of butterflies.
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Land has a mystical importance in China, and this dirt,
thick and black and loose, was as kind as California. Delicate Norfolk
pines without a thorn or a spike grew three stories high by the overpasses.
Cocoa plants stacked themselves like jointed toys in the yard, and people
cut down banana trees because the fruit would ripen and then just hang
on the bough, looking untidy.
It was not always like this. Time is long,
and the butterfly cannot imagine that the oak was once a nut; but there
was a time when this delta hardly flourished, and the people were hungry.
In fact, before mere history began, they were starving, and the tears
of dying babies moved even Heaven, the way a flood may jostle the biggest
lump of granite.
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